![]() Taylor, After the War: the Novel and England since 1945 (London: Chatto & Windus, 1993), p. This process is experimental and the keywords may be updated as the learning algorithm improves.ĭ.J. These keywords were added by machine and not by the authors. 3 First of all, however, it is necessary to look briefly at the recent discussion on the concept of the nation which forms the basis for related constructs such as national identity, in general, and Englishness, in particular. One, a view ‘from the inside’ provided largely by people who have a particular interest in preserving this ‘national fiction’ for identificatory purposes - that is, politicians - and the other, a view ‘from the outside’, 2 provided by Naipaul, a post-colonial writer who describes his experience and encounter with England in his autobiographical novel The Enigma of Arrival. Taylor has recently claimed that the adjective ‘“English” is capable of describing anything from a limp handshake to class hatred.’ 1 The aim of this essay is to examine the concept of Englishness from different perspectives. In a study on The Novel and England since 1945, D.J. ![]()
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